Paul Thomas Anderson can be liked or disliked, but he cannot be boring. From a hard-boiled Hard Eight to porn family saga Boogie Nights to the Altmanesque Magnolia, Anderson has been gnawing and thrashing at the familiar movie genres; his motto seems to be, Anything but the Obvious. Like many, I fell for the tough warmth of Boogie Nights, but the frenetic camera of Magnolia made me uncomfortable, and I was hoping that this was not what the director had in mind. Now, emboldened by the success of his previous two films, Anderson has ventured into a different genre -- comedy. Ouch. Woody Allen tried to make a musical once -- remember?