As Bruno stalks Miriam and her two boyfriends at a carnival, Miriam becomes aware of Bruno and finds his presence intriguing. Miriam peeks back at him. Is he a new suitor? Meanwhile, Hitchcock's camera emphasizes the incongruous, comical image of Bruno venturing solo into the Tunnel of Love. (Photo credit: © 1951, Renewed © 1951 Warner Bros. All rights reserved.) |
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