stills from Book of Shadows: Blair Witch 2 |
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[click photos for larger versions] |
Jeff leads this group into the forest, and they camp out at the location where The Blair Witch Project video footage was supposedly discovered (REVIEW OF THE BLAIR WITCH PROJECT). That evening seems to pass rather uneventfully; however, in the morning Jeff discovers all his cameras have been destroyed. And more disturbingly, there appears to be a five-hour stretch of time that they can't account for. Discovering what happened during those five hours becomes the focus of the movie.
While director Berlinger has largely discarded the shaky-cam approach of the first movie in favor of a more standard Hollywood approach, we still get occasional doses of unsteady camerawork, as when Jeff and the others watch the surviving video tapes from the lost five-hour stretch. So Blair Witch 2 manages to pay homage to the original movie while striking off in a new direction. But it's this new direction that causes the most critical problems. While The Blair Witch Project placed a great value on the mystery surrounding the original murders and the uncertain fate that befell Heather, Mike, and Josh, Blair Witch 2 has no compunction about showing us what happens to this new group of characters. We see knives plunged into flesh. We see gutted corpses. We don't know for certain if they fall victim to a supernatural evil or to their own hysteria, but we see both alternatives worked out in rather explicit fashion.
Instead of keeping us stranded in the woods, Blair Witch 2 takes us to the abandoned factory that Jeff calls home. In the process, the forest ceases to have any force. The focus falls completely upon the characters--and they're too slight to carry the movie. Berlinger has no interest in the supernatural implications of the Black Woods. When witchy signs appear, such as the hand prints that mark a house's foundation, they convey no weight or urgency. Berlinger is primarily interested in focusing on mass-hysteria as the result of media frenzy. So we get to watch the horribly dull lead characters screaming and crying as they struggle to understand what happened to them in the woods. This was a potential pitfall of the original movie also, for watching Heather, Mike, and Josh screaming at each other frequently became downright irritating. But the evocative use of the forest effectively kept audiences on the edge of their seats.
Berlinger wants us to see his approach as fresh and new because the movie's evil force may--surprise!--come from the victims themselves. But Berlinger doesn't exhibit faith in his own approach. He strives for psychological profundities with characters that have little psychological depth. He treats his characters as if they're rejects from Urban Legends or Scream or I Know What You Did Last Summer. Instead of presenting a credible scenario that might show the characters succumbing to their darker instincts, he hides the crucial sequence (from the missing five hours) until he can release it for shock value. In the process, he critically undervalues the movie's psychological ramifications while simultaneously positing mass-hysteria as the leading culprit. That's a contradiction from which the movie can't recover.
Director Berlinger and co-screenwriter Dick Beebe give us "Film lies ... video tells the truth" as their ultimate kernel of widsom: "The more amateur the video, the more we accept its credibility," says Berlinger in his "Director's Statement" (included with the movie's press kit). However, because the revelation from the missing five hours lacks a credible basis, video becomes the ultimate lie in Blair Witch 2, completely undermining the movie's intellectual thrust.