Among connoisseurs of '40s thrillers, the name Robert Siodmak garners the highest of respect. With such seminal crime dramas as Criss Cross, The Phantom Lady, and The Killers to his credit, Siodmak forged a body of work notable for its sense of psychological and physical corruption. However, because his career in America was relatively short, recognition of his name among many moviegoers is virtually nonexistent.
Siodmak's career began in Germany. His most famous early film is Menschen am Sonntag (1929, American title: People on Sunday), made in collaboration with Edgar G. Ulmer (who would direct several fine B movies in America, including Detour and Bluebeard). This film is very nearly a who's-who of German filmmakers who would soon emigrate to America to avoid the Nazi takeover, including Billy Wilder and Siodmak's brother Curt as screenwriters, while Eugene Schufftan and Fred Zinnemann collaborated on the cinematography.
With the growth of Nazism, Siodmak left Germany for Paris in 1933, where he continued making films until German troops marched into Paris in 1940. His first few years in America were spent in low-budget films, with Son of Dracula (starring Lon Chaney Jr.) as the standout. By 1944, he began helming more prestigious productions, such as The Phantom Lady, a first-rate suspense yarn based on a novel by Cornell Woolrich, and Cobra Woman, an exotic (and delighfully kitschy) fantasy programmer starring Jon Hall and Maria Montez.
Now available on DVD from Anchor Bay Entertainment in a beautiful transfer, The Spiral Staircase tells the story of a young woman, Helen Chapel (Dorothy McGuire), mute from childhood, who works as a servant for a wealthy family. In the nearby town, a series of murders baffles the police. The movie opens with the killer's third murder: as Helen watches a silent movie in a hotel theater, the killer strangles a woman upstairs. All the murdered women share a common trait: they were all handicapped--which indicates Helen could be a potential victim. Helen's employer, Mrs. Warren (Ethel Barrymore) warns Helen to leave the Warren mansion: "Leave this house tonight if you know what's good for you." Seriously ill, Mrs. Warren is confined to her bed, but she senses an evil force in her house. Several possible sources of that evil are offered: Mr. Oates (Rhys Williams), the groundskeeper, stalks Helen when she approaches the mansion during a storm; Steven Warren (Gordon Oliver) is a womanizer with a mysterious past; Professor Warren (George Brent) is a scientist who writes scholarly books. He despises his brother Steven's lifestyle. Could any of these men be the killer? Or is it someone outside the Warren estate?
Much of the story takes place within a wonderfully ornate Victorian style mansion (constructed entirely within a studio lot). Cinematographer Nicholas Musuraca's camera prowls the hallways and basement with a particular fondness for shots with great depth of field. When Helen approaches the Warren grounds, Musuraca places the camera low so that it emphasizes a wrought iron fence. Lighting from inside the fence casts wonderfully eerie shadows on the pathway as Helen walks to the front gate. This is a gorgeously photographed movie with meticulously crafted lighting schemes. Musuraca was one of the great cinematographers. He frequently worked in low-budget films, such as the films of Val Lewton (e.g., Cat People, The Seventh Victim, and Bedlam). He also filmed the archetypal film noir classic Out of the Past.
The Spiral Staircase evokes Hitchcock at his best. The opening sequence in particular is remarkably effective in the casual way it establishes the milieu--a small American town of the early twentieth century. The camera first draws us into a crowded hotel theater. Then it tilts upward. As it drifts into the apartment above, Siodmak contrasts the moviegoers/voyeurs below with the silent voyeur who waits within the closet of a crippled woman. The camera holds on the intruder's eyes in extreme closeup as he watches the woman change her clothes. As she pulls on a dress over her head, the killer strikes and Musuraca's camera captures the victim's hands as they contort from pain. (To help avoid giving away the killer's identity, Siodmak filmed eye closeups of several male cast members.)
Siodmak would continue making several fine films over the next seven years, turning out such classics as The Killers and Criss Cross. But by 1953, the call of his homeland proved too strong. He ventured first to France and then to Germany, where he continued making movies until 1968.
This DVD presentation of The Spiral Staircase contains no extras other than a rather worn theatrical trailer from the movie's theatrical re-release in the '50s. However, the video transfer for the movie itself is superb. This is a magnificent looking DVD with great detail and sharp imagery.
The Spiral Staircase is now available on DVD from Anchor Bay Entertainment. Suggested list price: $24.99. For more information, check out the Anchor Bay Entertainment Web site.